Eglon Van Der Neer
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Eglon van der Neer (1635/363 May 1703) was a
Dutch Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a community in the United States * Pennsylvania Dutch Country People E ...
painter of historical scenes, portraits and elegant, fashionable people, and later of landscapes.


Life

Van der Neer was born in
Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban ar ...
and was probably first taught by his father,
Aert van der Neer Aert van der Neer, or Aernout or Artus (c. 16039 November 1677), was a landscape painter of the Dutch Golden Age, specializing in small night scenes lit only by moonlight and fires, and snowy winter landscapes, both often looking down a canal ...
, who married in Amsterdam in 1629, coming from
Gorinchem Gorinchem ( or ), also spelled Gorkum, is a city and municipality in the western Netherlands, in the province of South Holland. The municipality covers an area of of which is water. It had a population of in . The municipality of Gorinchem al ...
. Eglon had a least five brothers and sisters, who were baptized in the Nieuwe Kerk between 1640 and 1650. He took lessons from Jacob van Loo, who was then one of the foremost figure painters in Amsterdam. Around 1654, Van der Neer, who probably had just finished his education with van Loo, traveled to Orange, Vaucluse in the south of France and entered the service of Friedrich von Dohna (1621–1688), governor of the
Principality of Orange The Principality of Orange (french: la Principauté d'Orange; oc, Principat d'Aurenja) was, from 1163 to 1713, a feudal state in Provence, in the south of modern-day France, on the east bank of the river Rhone, north of the city of Avignon, an ...
. Van der Neer stayed for three or four years in Orange and returned to Amsterdam by the end of 1658. There he married (in February) Maria Wagensvelt, the daughter of a wealthy Rotterdam notary. In 1663, van der Neer and his family moved to
Rotterdam Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"Ne ...
, where
Adriaen van der Werff Adriaen van der Werff (21 January 1659 – 12 November 1722) was a Dutch painter of portraits and erotic, devotional and mythological scenes. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant. Life At the ag ...
became his student. He stayed in Rotterdam until his wife died in 1677. In 1679, he moved to
The Hague The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital o ...
. In 1680 he became a member of the
Confrerie Pictura The Confrerie Pictura was a more or less academic club of artists founded in 1656 in The Hague (the Netherlands) by local art painters, who were unsatisfied by the Guild of Saint Luke there. History The guild of St. Luke in the Hague existed a ...
there. Later that year he moved again, taking up his residence at
Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
, where he married the miniature painter
Marie Du Chastel Marie Duchatel or Marie Du Chastel (1652 – 1692) was a Flemish painter and miniaturist. She had an international career which brought her to work at the courts of Denmark and East Frisia. She married the Dutch painter Eglon van der Neer with h ...
in the following year. She bore him nine children.


Painter for royalty

In Brussels, van der Neer established a good relationship with the governor of the Spanish Netherlands, the Marquess of Castanaga. In 1687, van der Neer was appointed
court painter A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the cour ...
to the Spanish King
Charles II of Spain Charles II of Spain (''Spanish: Carlos II,'' 6 November 1661 – 1 November 1700), known as the Bewitched (''Spanish: El Hechizado''), was the last Habsburg ruler of the Spanish Empire. Best remembered for his physical disabilities and the War ...
. In 1689, when Carlos' first wife died, van der Neer portrayed one of the new wedding candidates,
Maria Anna of Neuburg Maria Anna of Neuburg ( es, Mariana; 28 October 1667 – 16 July 1740), was a German princess and member of the Wittelsbach family, who became Queen consort of Spain in 1689 as the second wife of Charles II, last Habsburg King of Spain. Her m ...
. In 1695,
Johann Wilhelm, Elector Palatine Johann Wilhelm II, Elector Palatine (''"Jan Wellem"'' in Low German, English: ''"John William"''; 19 April 1658 – 8 June 1716) of the Wittelsbach dynasty was Elector Palatine (1690–1716), Duke of Neuburg (1690–1716), Duke of Jülich ...
, bought a painting by van der Neer in
Rotterdam Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"Ne ...
, when traveling through the Netherlands. This painting must have pleased him, because shortly thereafter the Elector Palatine contacted van der Neer directly and gave him commissions. In that same year Brussels was bombarded by French troops and van der Neer started to look for another place to begin a new life. The Elector Palatine had been looking for a replacement ever since his last court painter Johannes Spilberg had died in 1690. Van der Neer's second wife had died in 1692, and he met Spilberg's daughter, herself a qualified painter,
Adriana Spilberg Adriana Spilberg (1652, Amsterdam – 1700, Düsseldorf), was a Dutch Golden Age painter active at the court of Johann Wilhelm, Elector Palatine.(Germancourt painters who worked at the court of Johan Wilhelm, according to the Dusseldorf museum ...
. They married in 1697 and in 1698 Johann Wilhelm offered Van der Neer the position at his court as head painter. Van der Neer thus settled in
Düsseldorf Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian language, Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second- ...
and remained there for these last years of his life.


Legacy

During his Amsterdam and Rotterdam period, van der Neer primarily painted genre scenes and portraits that betray a stunning variety of styles. His interior scenes show the influence of
Pieter de Hooch Pieter de Hooch (, also spelled "Hoogh" or "Hooghe"; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of ...
,
Gerard ter Borch Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johann ...
,
Gabriel Metsu In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብር ...
and Frans van Mieris. Van der Neer painted only a handful of mythological and Biblical scenes. Judith in the National Gallery by Eglon van der Neer The early examples are very similar to his genre scenes and show figures in contemporary interiors. Later, in Brussels and Düsseldorf, van der Neer set his historical scenes outdoors, with a landscape setting. In these paintings he followed the example of
Adam Elsheimer __NOTOC__ Adam Elsheimer (18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintin ...
. His pure landscapes, without figures from literary sources, show other stylistic influences, such as
Jan Brueghel the Elder Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collabora ...
, and Jacques d'Arthois. Most of van der Neer's paintings are small and his style is highly finished. However, he could work on a large scale and would then adjust his manner of painting.


Notes


References

* * Peter Hecht, De Hollandse fijnschilders: Van Gerard Dou tot Adriaen van der Werff, exhibition catalogue Amsterdam, Rijksmuseum. * Peter Hecht, ‘Een Van der Neer voor het Rijksmuseum’, Kunstschrift 35 (1991), no. 3, pp. 5,6. * Eddy Schavemaker, ‘Copy and paste in the Work of Eglon van der Neer: Some Thoughts on Eclecticism’, in E. Mai (ed.), Holland nach Rembrandt. Zur niederländischen Kunst zwischen 1670 und 1750, Cologne 2006, pp. 247–262. * Eddy Schavemaker, ''Eglon Hendrik van der Neer (1635/36-1703). Zijn leven en werk'', PhD thesis Utrecht University 2009 * Eddy Schavemaker, ''Eglon van der Neer. His Life and Work'', Doornspijk 2010


External links

{{DEFAULTSORT:Neer, Eglon van der 1634 births 1703 deaths Dutch landscape painters Painters from Amsterdam Dutch Golden Age painters Dutch male painters Court painters